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Nidhi is a very religious girl and an active devotee. How does he get there? That's where Sri Nidhi comes in.
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So, you understand how Gautham and Sultan are going to lock horns eventually. Then, a rainy day ruins his roof and falls out of it an old bag with a diary, a will about his inheritance of diamonds and a strange looking locket. He apprehends a bunch of bank thieves, but, the event backfires and he hits a low of having to guard the city dump. Gautham comes from a middle class family, works for a security agency and dreams of being super rich one day. It's 2013 and this year he made his most expensive film collaborating with Gopi Chand for the second time.Ī group of archaeologists are looking for the lost treasures of a Kanishka king somewhere in Pakistan and just when they think they found something, in comes Sultan (Shakti Kapoor), some kind of terrorist/local clan head and tells them to surrender any found treasures to him and not to the government.Īll the way in the Indian Hyderabad is Gautham (wish they hadn't done the Google Earth thing). Two years later was Prayanam, but, by this time he wasn't hitting the sweet spot anymore even though the plot was novel and ambitious. So, Okkadunnadu (2005) was not here not there, the commercial habits he tried to adapt and his calm humour were, let's just say not a great mix. Wish it hadn't happened that soon but by the third film he was an artist torn between his core and the need for his films to make profits. They are admired and hero-worshipped, but there is always present underlying wish to see them destroyed at the peak of their glory. You know, I've often thought that the gangster and the artist are the same in the eyes of the masses. It was possibly the first occurrence of a local director overwhelming you with his art. At the end of this film was that strange feeling that made me stand up and clap, I'm a shy guy and yet I clapped for a while. And the follow up is to me the best Telugu film in the past decade - Anukokunda Oka Roju. What the educated audience was looking for was (is) cinema that doesn't adhere to given hopeless state of 'this is the only way you can ever make money of a film'.ĪITHE was that rare independent film that kept the narrative flowing, the laughs coming (and in the strangest places), for once a director with an eye for that minimalistic photography, a score that is a film score and not inter changeable songs and Pawan Malhotra playing a gangster to die for (I can hear him right now). Now, we are not talking about films that address social issues head on with very little aesthetic. 2003 is a very important year for a Telugu audience hungry for serious cinema. Review Sahasam & earn 20 DM Points.* Review Submit